PRESS

…there’s definitely no better or more diverse songwriter than Mary Lee Kortes working right now, anywhere in the world. Pretty impressive for someone known primarily as a spine-tingling, crystalline singer. Soaring and savagely lyrical…there are as many levels of meaning in Kortes’ songcraft as there are in her vocals.
— NEW YORK MUSIC DAILY
Transparency reigns in the songs of Mary Lee Kortes. On the album “700 Miles” (Bar/None), her voice is clear, her lyrics direct and her music poised and tuneful…. With flickers of wry humor, she sings about love and hopes and memories in songs so meticulously crafted they sound completely natural.
— JOHN PARELES, NEW YORK TIMES
700 Miles puts the spotlight back on Mary Lee Kortes’s songwriting. And a good thing too. Starting with The Nothing Song, a slice of Buddhist pop, Kortes proves the acclaim she has received in America is well deserved. The most surprising moment is the funky More Stupider. The minimal chorus is worthy of Prince at his peak.
— THE LONDON TIMES
…last year’s Blood on the Tracks, Mary Lee’s Corvette’s bold interpretation of the 1975 Dylan album of the same name, now has a worthy successor in 700 Miles…. The uncluttered yet often imaginatively textured arrangements are a big plus, too, placing the focus where it ought to be — on Kortes’s enchanting voice and tale-spinning.
— THE WASHINGTON POST
A masterful songwriter.
— THE VILLAGE VOICE